Thursday, August 28, 2025

"Let It Be" as a Phil Spector, rather than Beatles Project.

 


 


My early influences on writing are Charles Dickens, Rod Serling, Simon and Garfunkel lyrics, and this description on the back cover of the Beatles “Let It Be” album.

Here with this description, I learned that much impression can be influenced by a few well-chosen words.

I shall provide comment for each part of the description:

 

This is a new phase Beatles album…

 I think each and every Beatles album that followed a previous one was a “new phase” in their recording career. Beatles For Sale, Help, Rubber Soul, Revolver, Sgt. Pepper, and on, each of those were new phase in recording technique.

But what I learned from this statement on the back of the album was that merely saying so explicitly gave it a compelling air of uniqueness.

Essential to the content of the film, LET IT BE was that they performed live for many of the tracks;

 Perhaps what is referred to here is the roof-top performance which took place on January 30, 1969. But, for anyone who has watched the Let it Be/ Get Back sessions documentaries, one could describe all of the tracks as “live”. I consider the experiment a series of jam sessions which lack the precision of production under true recording studio conditions.

In comes the warmth and the freshness of a live performance;

I suppose I can concur as it relates to the roof top concert. But the “working” sessions, as viewed in the documentaries, left me with an “ok, let’s get on with it” impatience.

As reproduced for disk by Phil Spector

    The most conspicuous and relevant statement in the description identifies the legendary Phil Spector as having, not produced, rather, reproduced the material for disk, rather than film.

    Phil Spector had acquired such fame and acclaim as a producer that when a new album was released by Ronnie and the Ronettes, or other Spector-produced groups or material, it was often referred to as “the latest Phil Spector album”.

That is how I see “Let it Be”, as a Spector album with abandoned experimental Beatles material as his project.

    By the time the album was released it had become publicly known that the Beatles had broken up. The description on the back cover helped to sell the album by using words such as new phase, fresh, live.

 But most effectively by invoking the name of Phil Spector.

at the Rock and Roll Hall of Fame in Cleveland Ohio